脱域与改造:当代中国民族民间舞审美现代性的建构  

Disembedding and Transformation:Construction of Aesthetic Modernity of Chinese Ethnic and Folk dance

作　　者：仝妍[1] 

机构地区：[1]华南师范大学音乐学院,广东广州510631

出　　处：《艺术百家》2017年第6期96-102,共7页Hundred Schools In Arts

基　　金：2015年度国家社会科学基金艺术学项目"中国当代舞蹈的‘现代性’研究--以历史书写与艺术实践为中心"(项目编:15BE060)阶段性成果之一

摘　　要：在中国传统的文化遗产中,各民族、各地区的民间舞蹈既是历史的传统也是现代的基础。传统自然经济的持续性,造就了中华文化的持续性,并且历经动乱与分裂的洗礼而不断得到充实升华。当一个新的、多民族的现代民族国家开始被想象之后,其内容也开始通过各种手段被模塑、改编和改造。在这一过程中,语言、艺术在意识形态层面,担负起"国族化"改造的核心力量。民间舞蹈话语从地方性向国家性的转化,既是新中国"国家现代性"独特历史建构的结果,也是新中国舞蹈"中心化"的价值趋向。文章追溯新中国成立前后,作为"国族化""中心化"改造的核心力量,民间舞蹈如何从散沙式的生存状态经过脱域升华为凸显民族文化特征的现代舞蹈体系。Chinese traditional cultural heritage, ethnic and folk dance is not only a historical tradition, but also a basis of the modem society. When a new modern - nation state began to be imagined, it also began to be molded, adapted and transformed through a variety of means. In this process, language and art, in the ideological level, assume the ＂ nationality＂ transformation of the core strength. The transformation of the ethnic and folk dance from local to national, is the result of the unique ＂ national modernity＂ of the PRC, but also the trend of ＂ centralization＂ of the new Chinese dance. This paper traces the establishment of Chinese ethnic and folk dance as a core strength of ＂ nationalization＂ and ＂ transformation＂ to highlight the cultural characteristics of a nation.

关 键 词：舞蹈艺术 中国民族民间舞 审美现代性 脱域 改造 国族化 中心化 

分 类 号：J70[艺术—舞蹈]