沈从文小说《看虹录》中的主客关系新探  

A New Exploration on the Relationship between Subject and Object in Shen Congwen's Novel Kan Hong Lu

作　　者：肖倩 

机构地区：[1]云南师范大学,云南昆明650500

出　　处：《牡丹江大学学报》2018年第2期17-20,共4页Journal of Mudanjiang University

摘　　要：40年代沈从文小说转型。与前期相比他在心理、思想以及表达方式上都有着明显转变。《看虹录》作为这一时期的小说,其间种种暗示都昭示着这绝非是一个单纯的爱情故事。作者使用意识流的手法,以"虹"构筑特定的社会历史环境,将人性与神性具象化。让主与客面对面的交谈,再通过猎人与鹿的故事隐喻,最终以人性与神性再度分离的结局揭示出神性复归渺茫的残酷现实。表达出作者对神性的执着追求以及对人类永失神性的沉痛无奈之情。Shen Congwen＇s novels began to transform in 1940s. Compared with the earlier stage, he had a significant change in psychology, thought and expression. As a novel of this period, all kinds of hints in Kan Hong- Lu suggested that it was not a simple love story. Using the method of stream of consciousness, the author constructed a specific social and historical environment with the ＂Rainbow＂, and made the humanity and the divinity figurative. Hie author made the subject and the object face to face, and then suggested through the story of the hunter and the deer, and finally revealed the cruel reality that divinity could hardly return by the end of the separation of humanity and divinity. It expressed the author＇s persistent pursuit of the divinity and his bitterness and helplessness on the loss of divinity in human.

关 键 词：沈从文 《看虹录》 主客关系 人性 神性 

分 类 号：I29[文学—中国文学]