隐喻、空间、消费——《山河故人》中的离散与失忆  

Metaphor,Space,Consumption:Discrete and Amnesia of Mountains May Depart

作　　者：余习惠[1] 徐广飞 

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412008

出　　处：《湖南工业大学学报（社会科学版）》2018年第1期101-104,共4页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：贾樟柯在电影《山河故人》中运用大量表意符号,用深固和游走的隐喻符号传递乡愁,用血缘、个体、人情的表意空间符号延续个体情感,用文化失语与情感断裂的错位消费符号反映现代性文化失语,在"隐喻""空间"中"消费"着活在不同阶层人们感知世界的离散与失忆。In the movie Mountains May Depart,Jia Zhangke uses a large number of ideographic symbols. He uses profound and erratic metaphorical signs to express nostalgia. The individual emotion is extended by the spatial symbols of blood,individual and human feelings,and the modern cultural aphasia is reflected by the misplaced consumption symbols of cultural aphasia and emotional rupture. In ＂metaphor ＂ and ＂space ＂, the film＂consumes＂the dispersion and amnesia of the world percepted by people in different classes.

关 键 词：《山河故人》 表意符号 隐喻 空间 消费 

分 类 号：J905[艺术—电影电视艺术]