数字艺术设计中的计算思维与程序美学  

Computational Thinking and Procedural Aesthetics in Digital Art Design

作　　者：严宝平[1] 

机构地区：[1]南京艺术学院传媒学院,江苏南京210013

出　　处：《现代信息科技》2017年第5期110-111,共2页Modern Information Technology

摘　　要：计算思维作为近年来相对较新的学术热点,源起于信息学科,同时也积极地渗透进了几乎所有与之关联的学科。在所有受之影响的范围内,泛数字艺术设计因自身有着很强的计算基因,自然可讨论的空间则相对更大。本文旨在梳理计算思维在数字艺术中的应用,并探讨基于计算思维的程序美学,以期将程序美学关联到艺术表现中的存在,进而以更宽的维度扩展数字艺术的存在与表现。Computational thinking,as a relatively new academic hotspot in recent years,originates from information science,and also permeates into almost all related disciplines. In all the affected areas,depends on the strong computational gene,the development space of digital art design is bigger then others. The purpose of this paper is to comb the application of Computational Thinking in digital art,and to explore the procedural aesthetics based on Computational Thinking,in order to link the procedural aesthetics to the existence of artistic expression,and then to expand the existence and expression of digital art in a wider dimension.

关 键 词：数字艺术 计算思维 程序美学 

分 类 号：J50-05[艺术—艺术设计] TP311.11[自动化与计算机技术—计算机软件与理论]