主体间性美学的转型及对技术美学研究的启示  

The Transformation of Inter-subjectivity Aesthetics and Its Enlightenment on the Study of Technological Aesthetics

作　　者：葛勇义 

机构地区：[1]安徽财经大学马克思主义学院,安徽蚌埠233030

出　　处：《长沙理工大学学报（社会科学版）》2018年第1期12-21,共10页Journal of Changsha University of Science and Technology：Social Science

基　　金：安徽省高校人文社科研究重点项目(SK2017A0449)

摘　　要：随着现象学的产生,传统主体性哲学逐渐发展为当代的主体间性哲学,导致当代西方美学研究范式发生转型:后实践美学取代实践美学,主体性美学转向主体间性美学。技术美学应该注重这种范式的转型,将主体间性美学作为当前技术美学的理论背景,发挥主体间性在技术美学中的作用。With the emergence of phenomenology,traditional subjectivity philosophy gradually developed into modern inter-subjectivity philosophy, which resulted in the transformation in the research paradigms of modern western aesthetics, namely post-practical aesthetics superseded practical aesthetics, and subjectivity aesthetics turned into inter-subjectivity aesthetics. Technological aesthetics should pay attention to this transformation, and regards inter-subjectivity aesthetics as the theoretical background to exert the effect of inter-subjectivity on Technological aesthetics.

关 键 词：技术美学 现象学 主体间性 

分 类 号：N031[自然科学总论—科学技术哲学]