编剧学理论的新范式——谭霈生先生的“形式—结构”戏剧理论初探  

A New Paradigm of Dramaturgy——A Study on the Theory of Form and Structure by Tan Peisheng

作　　者：杨健[1] 

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧（中央戏剧学院学报）》2018年第1期120-127,共8页Drama:The Journal of the Central Academy of Drama

摘　　要：谭霈生先生的"形式—结构"戏剧理论,揭示了编剧创作的核心环节:情境建构。将传统编剧学以客体对象—情节为本体的形式,转变为以主体思维为对象的—情境形式,这是编剧学向思维科学迈出的重大一步。The theory of form and structure put forward by Professor Tan Peisheng exposes the core of dramaturgy, namely the construction of the setting. In his dramaturgy theory, Prof. Tan transfers the focus of dramaturgy from traditional plot-oriented format based on objective relationships to setting-oriented paradigm based on subjective thinking patterns. This transformation also indicates a great leap of dramaturgy to science of thoughts.

关 键 词：“情境本体论” “情境逻辑模式” 思维科学 新范式 

分 类 号：J81[艺术—戏剧戏曲]