15至16世纪伊朗家具装饰品中的宗教角色  

Religion Role during 15th and 16th Century in Irans Furniture Ornaments

作　　者：Ladan Abouali 吴智慧 

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2018年第1期82-89,共8页Furniture

基　　金：江苏省高校优势学科建设工程资助项目(PAPD)

摘　　要：本文以伊斯兰教及相关艺术为研究对象,探讨十五世纪家具设计元素。伊朗和伊斯兰教的统治从萨珊时代开始,直到后来形成萨法维王国,伊斯梅尔国王才使得伊朗正式成为了一个伊斯兰国家。在这个时期,艺术和文化逐渐进入伊朗,并被改良成伊朗伊斯兰教的版本。建筑设计受到的关注最多,因为清真寺象征着国家宣扬的相关艺术,如瓷砖、伊斯兰装饰和伊朗元素,这些是与其他穆斯林地区不同的萨法维艺术。这些很明显地反映在国王造办处制作的《列王纪》的微缩图中,是伊朗大不里士市15世纪伊朗家具设计史上最重要的参考史料。This study investigates the 15 th century furniture design elements through the impact of Islamand related arts.Iran and Islamic ruling started from Sasanid time however by the start of Safavid King-dom,Shah Ismail made Iran officially an Islamic country.It was when art and culture started to be import-ed into Iran and improved to Iranian Islamic version.Architectural design received the most attentionsince Mosques where the symbol of what the country was promoting related arts such as tiling,Islamicdecoration,and Iranian elements were separated the art of Safavid from other Muslim neighbors.The influ-ence of this matter is clearly reflects in the miniatures of＂The Shahnama of Shah Tahmasb＂that wasdone in Kings workshops.Shah Tahmasb Shahnameh is the most notable source to follow the furniture de-sign history in the 15 th century in Tabriz city,Iran.

关 键 词：萨法维王朝家具 设计 大不里士学校 伊朗-伊斯兰教 《列王纪》 

分 类 号：TS664[轻工技术与工程]