作为新的审美实践的日常生活——论新世纪长篇小说的日常生活写作  

Everyday Life as a New Aesthetic Practice——On Everyday Life Writing of Novels in the New Century

作　　者：梅兰[1] 

机构地区：[1]华中科技大学中文系/中国当代写作研究中心

出　　处：《华中科技大学学报（社会科学版）》2018年第2期46-51,共6页Journal of Huazhong University of Science and Technology(Social Science Edition)

摘　　要：本文通过对新写实主义和新世纪长篇小说的考察,提出了有别于现实主义和回归传统说的日常生活写作,认为新世纪以来的长篇小说的日常生活写作是一种新的审美实践,具体体现在反现代性、农民立场、创伤体验、孤独主体、民间信仰及审美风格、崇高风格等。Through the investigation of neo-realism and the novels of the new century,this essay puts forward that the everyday life writing is different from the realism and trend of returning to the literary tradition,and holds that the everyday life writing of the novel in the new century is a new aesthetic practice. The specific features are reflected in the anti-modernity,farmer position,traumatic experience,lonely subjects,folk beliefs,aesthetic style,and sublime style and so on.

关 键 词：日常生活 现代性 长篇小说 

分 类 号：I0-03[文学—文学理论]