“文创”视阈下台湾漆艺发展现状考察  

“Cultural and creative industries” from the perspective of the current situation of the development of Taiwan lacquer art study

作　　者：高志强[1] 包旦妮[2] 林伯贤 

机构地区：[1]江苏理工学院 [2]常州大学,江苏常州213000 [3]台湾艺术大学,台湾新北市23854

出　　处：《中国生漆》2017年第4期32-36,共5页Journal of Chinese Lacquer

基　　金：2014年教育部人文社科规划项目"我国漆器产业现状调查及发展路径研究"(项目编号:14YJAZH021);2013年江苏省高校哲学社会科学基金项目"我国漆器产业现状及发展路径研究"阶段成果(项目编号:2013SJB760013)

摘　　要：作者在台湾艺术大学访学期间,通过田野调查,较为全面地考察了台湾漆艺发展近况,在前辈学者对台湾漆艺的历史、漆艺家及典藏机构介绍的基础上有进一步的研究。文章结合"文化产业化,产业文化化"的文创理念,深入分析了传统漆艺在台湾的传承与精进、生活工艺导向、品牌化与时尚化、工艺文化的大众体验与传播等多元化路径,"工艺生活化,生活工艺化"的产业目标使得台湾漆艺形成鲜明生活化特点的同时也存在着不足,进而阐述了海峡两岸加强漆艺的交流与合作对复兴中华漆文化具有重要意义。During being visiting scholar in the University of the Arts in Taiwan,the author comprehensively investigates the development status of Taiwan lacquer through field investigation.Based on the research work of senior scholar on Taiwan art history,artists,and collection institutes,further studies are performed.Based on the ＂cultural industries,industrial culture＂creative ideas,the paper gives in-depth analysis of the inheritance and improvement of traditional lacquer art in Taiwan,lifestyle trend,brand and fashion,popular culture and communication technology diversification.The lifestyle trend of art,art style trend of life ＂ of the target industry makes Taiwan lacquer have lifestyle characteristics and shortages.Exchanges and cooperation between both sides of the Straits have the vital significance to the revival of Chinese lacquer culture.

关 键 词：文创 台湾省 漆艺 发展 

分 类 号：G642[文化科学—高等教育学] J213.9-4[文化科学—教育学] J527-4[艺术—美术]