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作 者:陈悦新[1]
机构地区:[1]北京联合大学应用文理学院
出 处:《华夏考古》2018年第1期77-82,共6页Huaxia Archaeology
基 金:2015年度国家社会科学基金重大项目“中印石窟寺研究”(批准号:15ZDB058)阶段性成果
摘 要:北齐皇族赵郡王高睿天保七年(556年)敬造3尊白石雕像并铭,可视为北齐时期造像的范本.其佛衣类型为覆肩袒右式,流行于北魏中后期,并非北齐时期的主流样式如此精雎细琢的上乘作品,却选择了过时滞后的佛衣样式。The three white marble statues carved under the sponsor of Gao Rui, the Prince of the Zhao Commandery of the Northern Qi Dynasty, in the seventh year of Tianbao Era (556). can be regarded as the models of the Buddhist sculptures of the Northern Qi Dynasty. The Buddha dress types of these statues were "shoulders covered with right arm naked" , which was popular during the mid and late Northern Wei Dynasty but not the mainstream of the Buddhist costume style in the Northern Qi Dynasty. That these carefully designed and precisely carved artworks applied this old-fashioned dress style, might be related to the dislike of the upper classes of the Northern Qi Dynasty to the Sinicization policies of the Northern Wei Dynasty and their appreciations to the arts of the Central Asia and the Buddhist monks from India.
分 类 号:K879.3[历史地理—考古学及博物馆学]
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