基于双墩刻画符号的中国文字起源内在机制研究  

The research on the internal mechanism of the origin of Chinese characters based on the carved symbols of Shuangdun site

作　　者：吕春瑾 王吉怀[2] 

机构地区：[1]蚌埠学院淮河文化研究中心,安徽蚌埠市233010 [2]中国社会科学院考古研究所,北京市100710

出　　处：《华夏考古》2018年第1期103-111,共9页Huaxia Archaeology

基　　金：教育部人文社科青年基金支助,项目号15YJCZH103

摘　　要：象思维的发展是文字萌发的内在动力，文字的起源始于文的出现，经衍象孳形的过程，最终形成完整的文字体系。双墩刻画符号是七千多年前先民取象比类，刻画成文的珍贵记录。双墩刻画符号未必记录语言，尚处于文的阶段，而不是字的阶段，其中蕴藏着汉字和易道思想共同的基因——象。由文到字的衍象孳形过程中，指事与象形皆遵从书的共法——象，指事象大类，象形象小类，指事先于象形，逻辑与历史相统一。观物取象，即象思维下类的认知，我们称为原象认知。是一种道性认知，中华道性文化即萌蘖于此。The development of image thinking is the internal motivation of the character germination. The origin of the character begins in the appearance of character. Glyph is the expression of the image, and the glyphs develop with the formation of images. Finally, they develop into a rounded character system. The pottery marks found at Shuangdun Site are the valuable records made by our ancestors by embodying the impression of the objective figures in their minds into the incised marks. These marks were still in the stage of graphs rather than writings, and they might not be the notes of languages, but they implicated the common gene of Chinese characters and the Taoist thought and the Classic of Changes, which was the ＂imitation＂ . During the development from graphs to the writings, the ideograms and pictograms were all created following the common principle of ＂imitation＂ ; ideograms were imitating broader meanings and pictograms were imitating narrower meanings, and ideograms were developed prior to pictograms, the logic of which matched the real history. Recording impressions of the observed objects, which was the cognition of the meanings under the image thinking, we named it as ＂proto-imitation＂ . It is a metaphysical cognition and the root of the Chinese Taoist thought.

关 键 词：双墩刻画符号 中国文字起源内在机制 衍象孳彤 

分 类 号：K877[历史地理—考古学及博物馆学]