论晚清刘清韵女性戏曲创作中的时代色彩  

On the Times Colors of Liu Qingyun's Female Operas in Late Qing Dynasty

作　　者：裴雪莱[1,2] 

机构地区：[1]浙江传媒学院戏剧影视研究院 [2]浙江大学人文学院

出　　处：《浙江艺术职业学院学报》2017年第4期63-68,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科艺术学青年项目"清代至民国江南曲社研究"阶段性成果(项目编号:17CB181);中国博士后科学基金第62批面上资助"清代江南昆班研究"阶段性成果(项目编号:2017M621905)

摘　　要：刘清韵的人生经历和戏剧创作均具有鲜明的时代色彩。她的戏剧作品数量达到明清女性戏曲家总集半数,质量也颇得时贤赞誉,表现特定历史时期的女性哲思与感受。刘清韵不仅带有李清照、叶小纨等古典传统才女的影子,而且呈现出辛亥革命前后近代知识女性的思想新变。刘氏剧本在取材、意识和体制等诸多方面都已具备明显的近代女性特征。Liu Qingyun＇s life experience and drama creation all have distinct times colors.The number of her dramatic works reached half the total number of female opera composers in the Ming and Qing dynasties.The quality of her plays was praised by the times,showing the feminist philosophies and feelings in a particular historical period.Liu Qingyun not only carries the shadow of classical and traditional talented women such as Li Qingzhao and Ye Xiaowan,but also shows the new changes in the minds of modern intellectual women around the Revolution of 1911.Liu script in the material,awareness and system,and many other aspects have had obvious characteristics of modern women.

关 键 词：刘清韵 女性戏曲 时代色彩 

分 类 号：J803[艺术—戏剧戏曲]