元小说、不可叙述之事与虚构的可能性——解读舍伍德·安德森《林中之死》  

Meta-fiction,the Indescribability and the Possibility of Fiction:——An Interpretation of Sherwood Anderson's Death in the Woods

作　　者：陈然兴[1] 

机构地区：[1]西北大学文学院,西安710069

出　　处：《西安文理学院学报（社会科学版）》2018年第1期1-6,共6页Journal of Xi’an University(Social Sciences Edition)

摘　　要：与大多数后现代元小说不同,舍伍德·安德森《林中之死》中的元小说话语对"故事"之虚构性的暴露不仅没有构成对其主题的"反讽",反而强化和升华了故事的主题,从而超越了元小说固有的认知-伦理难题。《林中之死》把元小说手法与深刻的美学思想巧妙地统一起来,通过展示人性光辉之于故事生成的决定性意义,升华了讴歌人性的主题:熟悉而又陌生的日常生活本质上是无名的、不可讲述的,唯有伟大人性之光能够凝聚和显现它们,艺术作为凝聚了的整体理应以人性来命名。Unlike in most post-modern novels, the meta-fiction discourse in Sherwood Anderson＇s ＂Death in the Woods＂ was not ironic. On the contrary, it enhanced and sublimed the theme of the story, which made the short- story go beyond the intrinsic cognitive-ethical dilemma of meta-fiction. ＂Death in the Woods＂ unified the meta-fic- tion and the profound esthetics thought ingeniously, displayed the brilliance humanity＇s decisive significance for the story-generation, and sublimated the theme of eulogize humanity： the familiar and unknown daily life is essentially nameless and Indescribability, only brilliance humanity can light it, condense it, and make it visible, as the re- suit, art should be thought only in name of human nature.

关 键 词：《林中之死》 舍伍德·安德森 元小说 不可叙述之事 

分 类 号：I712.074[文学—其他各国文学]