21世纪马克思主义文论视野下的中国“文化研究”  

Chinese“Cultural Study”from the Perspective of Marxist Literary Theory in the 21st Century

作　　者：张静[1] 

机构地区：[1]中国人民大学学报编辑部,北京100872

出　　处：《中州大学学报》2018年第1期7-14,共8页Journal of Zhongzhou University

摘　　要：文化研究作为一种批评理论和方法,自20世纪90年代引入中国以来,在中国学界产生了很大影响。文化研究的批评方法倾向重申社会文化语境的重要性,同马克思主义文艺观存在共通之处,为中国文艺理论研究打破80年代以来审美自律的"内部研究"模式提供了一定的启发。然而,在近年来的发展中,也出现了批判力度被弱化以及疏离中国现实等问题。本文对文化研究这一批评模式在中国的"理论旅行"过程及其理论模式进行梳理,分析其对中国文艺理论研究传统模式的挑战和启发。As a critical theory and method,cultural study has exerted a great influence on Chinese scholars since it was introduced into China in the 1990 s. The criticism methods of cultural study,which have commonalities with Marxist literature,tend to reiterate the importance of social and cultural contexts. They provide some inspirations for the study of Chinese literature and art theories to break the "internal research"mode of aesthetic self-discipline since the 1980 s. However,there have been problems of weakening the critical function and alienating China's reality in recent years. In this work,we will sort out the process of "theory travel"and its theoretical model of cultural criticism in China and analyze its challenges and enlightenment to the traditional model of Chinese literary theory research.

关 键 词：文化研究 马克思文论视野 批判功能 个案研究 

分 类 号：I106[文学—世界文学]