玛雅民间美术与中国民间美术在造型语言中的共性  

THE COMMON SCULPT LANGUAGE OF MAYAN FOLK ART AND CHINESE FOLK ART

作　　者：郭华[1] 

机构地区：[1]西安理工大学

出　　处：《包装与设计》2018年第2期98-99,共2页Package & Design

摘　　要：无论是墨西哥玛雅文化。还是中国民间文化．都对人类文明的进步和发展做出过巨大的贡献。玛雅时期的民间美术作为玛雅文明的重要组成部分，传达出玛雅人的生命观和审美追求．展现了他们的物质生活和精神世界。中国民间美术历史悠久。呈现出一种原始美术混沌的特征．是人类天真天性的反映。玛雅民间美术和中国民间美术发生的地域虽然差别万里．但是在艺术表达形式上还是具有共通性。二者均表现出人类最根本最质朴的审美价值观．在造型方面有共同的特点．都反映了作品创作者的心理基础，具有人类很多共有思维模式。Mayan folk art is an important part of the Mayan civilization, which conveys the Mayan outlook of life and aesthetic pursuit, expressing their material life and spiritual world. Chinese folk art is a reflection of human nature with the characteristics of a primitive art of chaos. Mayan folk art and Chinese folk art seem to be very different geographically, but in fact they have a lot in common. This paper discusses the common sculpt language of Mayan folk art and Chinese folk art from their exaggeration and deformation sculpt language, pragmatic and decorative functional language, and objective and subjective compose language.

关 键 词：民间文化 造型语言 美术 中国 人类文明 玛雅文化 组成部分 物质生活 

分 类 号：K02[历史地理—历史学]