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机构地区:[1]南通大学,江苏南通226001 [2]湖北文理学院,湖北襄阳441053 [3]山西师范大学,山西临汾041000
出 处:《贵州民族研究》2018年第1期103-107,共5页Guizhou Ethnic Studies
摘 要:从人类学文化视角来看,侗族大歌是侗族人民在悠久历史活动中创造、流传开来的文化财富,担任着侗族整体文化活动记录、演绎和再现的重要角色。在此从人类学视域出发,运用"五W模式"分析:在社会文化环境不断变迁、现代发达便利的新媒体技术环境下,互联网在侗族大歌传承保护中承担的责任,分析其传播的特点与过程中存在的不足,探讨数字化时代侗族大歌的传承与保护策略,为以侗族大歌为代表的非物质文化遗产的创新与发展提供有效建议。From the perspective of anthropology culture, the Dongfolk songs are created and spread by Dong people in the long historical activities. It plays an important role in recording, interpreting and reproducing the whole cultural activities of the Dong nationality. This paper analyses the Internet undertaking responsihilityin theDongfolk songs heritage protection with the new media environment changing of social and cultural using "5W analysis model" . It analysesthe deficiencies and existing features of Dongfolk songs in its communication process. It also discusses theinheritanee and protection strategy of Dong folk songs in the digital age and provides effective advice for the innovation and development of the Dong folk songs as the representative of the intangible cultural heritage.
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