中国髹饰工艺传承与发展的理论体系构建研究(上)  

Theoretical System Construction on Chinese Xiushi Crafts Inheritance and Development(Ⅰ)

作　　者：张天星[1] 吴智慧[1] 孙湉 Zhang Tianxing，Wu Zhihui，Sun Tian

机构地区：[1]南京林业大学,江苏南京210037 [2]南京博物院文保所,江苏南京210000

出　　处：《家具与室内装饰》2018年第2期82-85,共4页Furniture & Interior Design

基　　金：国家社科基金艺术学项目(13CB122)

摘　　要：髹饰工艺作为中国文化的承载者,其之递承需在"有根"之理论的指引下发展。本文以构建髹饰工艺之理论体系为对象,笔者提出了三大核心内容,即审美观、方法论与递承方法,审美观是对待中国髹饰工艺的态度,方法论是指引髹饰工艺递承与发展的思想核心,而递承方法是审美观与方法论的践行者。髹饰工艺需要递承,更需创新与突破,故希望本理论的提出对髹饰工艺的继承与发展有所助益。As a bearer of Chinese culture, the Xiushi craft needs to be developed under the guidance of theory. Targeting at the theoretical system construction of Xiushi craft, three core contents including aesthetics view, methodology and the inheritance method to Xiushi craft are put forward. Aesthetics view is considered as an attitude to Xiushi craft, methodology is known as the center idea for the inheritance and development of Xiushi craft, and inheritance method is the executor of craft view and methodology. Nevertheless, the Xiushi craft needs to be delivered, but also needs innovation and breakthroughs. It hopes that this theory is helpful to the inheritance and development of Xiushi craft.

关 键 词：髹饰工艺 审美观 工艺观 方法论 知行学 递承方法 

分 类 号：J528[艺术—艺术设计]