戏剧话语中称呼语的态度意义:以《荷兰人》为例  

Attitudinal Meanings of Address Terms in Drama:Taking Dutchman as an Example

作　　者：李桔元 李鸿雁 LI Ju-yuan ＆ LI Hong-yan(School of Foreign Studies, Guangzhou University, Guangzhou 510006, Chin)

机构地区：[1]广州大学外国语学院

出　　处：《湖南科技大学学报（社会科学版）》2018年第2期167-172,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：广东省社会科学后期资助项目(GD17HWW01);广州大学高层次人才科研启动项目(2700050348)

摘　　要：近10多年来，称呼语作为文学话语中的特殊语言现象，其丰富的社会意义、文化意义以及语用意义等得到了较深入的研究，但态度意义缺乏系统考察。在语言评价理论框架下，结合戏剧话语中称呼语的特点，系统考察称呼语的态度意义，发现称呼语隐含各种情感意义和判断意义。通过对阿米里·巴拉卡戏剧《荷兰人》中人物之间的称呼语的态度意义进行系统分析，发现称呼语的态度意义有助于建构复杂动态的人物身份。In the last ten-odd years, terms of address as a particular linguistic phenomenon in literary discourse have been studied in terms of their social, cultural and pragmatic meanings. Yet, there lacks system- atic explorations in their attitudinal meanings. This paper, based on the descriptions of address terms in drama, provides a systematic investigation of their attitudinal meanings in the framework of appraisal theory of language , finding that address terms imply various meanings of affect and judgment. The concrete analysis of attitudinal meanings of address terms between the two protagonists in the drama Dutchman by Amiri Baraka illustrates that the attitudinal meanings help to construct complicated and dynamic identities of characters.

关 键 词：称呼语 态度意义 《荷兰人》 身份 

分 类 号：H313[语言文字—英语]