基于图像学的中国古代竹马舞流变考源  

The Morphologic Change of Ancient Bamboo Horse Dance Based on Iconology

作　　者：郭小刚 GUO Xiao-gang(School of Musie, South China Normal University, Guangzhou 510006, Chin)

机构地区：[1]华南师范大学音乐学院,广州510006

出　　处：《北京舞蹈学院学报》2018年第1期23-30,共8页Journal of Beijing Dance Academy

基　　金：广东省哲学社会科学"十二五"规划项目<"非遗"视野下岭南"竹马舞"研究>(项目编号:DF15CYS02)成果之一

摘　　要：本文经由古壁画、古墓砖、古瓷器以及实地考察、拍摄等多种途径收集中国古代竹马舞的图片,通过对这些图片的考源、分析,结合历史文献的记载,从图像学的视角考察中国古代竹马舞的流变。其形态变化主要分为三个阶段:第一阶段从汉代至唐代,那时候的竹马舞是儿童游戏,竹马的形制是"竹竿为马、以梢为鞭";第二阶段为宋金时期,竹马舞从儿童游戏演变为民俗社火;第三阶段为元明清时期,竹马于元代作为一种道具进入戏剧表演中。This paper collects pictures of bamboo horse dance from ancient wall paintings and ceramics,carving bricks from ancient tombs,photography and field study. Through examination and analysis combined with historical documents,the paper argues that there are three developmental stages in the perspective of iconology. The first stage,from Han to Tang Dynasty,the bamboo horses were mainly children＇s games. The second stage,in Jin and Song period,the bamboo horse joined in Shehuo parade,which marked the birth of the bamboo horse dance. The third stage,from Yuan to Qing Dynasty,bamboo horse entered drama performances as a kind of prop.

关 键 词：竹马舞 图像 形态流变 考源 

分 类 号：J720.9[艺术—舞蹈]