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作 者:贾爱媛[1] JIA Ai-yuan(Humanities College, Qinghai Normal University, Xining 810008, China)
出 处:《青海师范大学学报(哲学社会科学版)》2018年第1期126-133,共8页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
摘 要:在古代的韵书中,某一字原则上归于某一个韵部,然而查检韵书及阅读古诗时会发现这样的特殊情况:形、义相同的一个字兼属于两个或三个韵部。这些兼韵字的声、韵、调情况比较复杂,但最多的是因声调不同而兼属不同的韵部。本文考察了韵书中兼韵字从上古到中古的声调演变情况和诗词中的运用情况,说明了异调兼韵的缘由,并佐证了汉语字调的发展演变。In the ancient rhyming dictionaries,a character belongs to a certain rhyming category in thoery,while some special circumstances have been inspected:A character with the same form and meaning belongs to two or three rhyming categories.The sound,rhyme,and tone of these charaters are complicated,but most importantly,they belong to different rhyming categories due to the difference of their tones.Why would a character with same shape and meaning has different tones?How was it pronounced through the formation of rhyming dictionaries in ancient times?Depending on these questions,this paper investigated these characters' transformation of tones and their application in poetries during palaeoid and mediaeval times of acient China.It also explained the reason of why a character would has different tones that belongs to different rhyming categories.Furthermore,it has proved the development and evolution of the tones of Chinese characters.
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