杰克·伦敦的“蛇鲨号”夏威夷叙事与异托邦构想  

Jack London's Snark Hawaiian Narratives and Heterotopia Imagination

作　　者：马新[1,2] 王喆[2,3] 

机构地区：[1]东北大学外国语学院,辽宁沈阳110819 [2]中国人民大学外国语学院,北京100872 [3]安徽建筑大学外国语学院,安徽合肥230022

出　　处：《外语与外语教学》2018年第2期128-138,共11页Foreign Languages and Their Teaching

基　　金：教育部人文社会科学研究青年基金项目"杰克.伦敦的亚太叙事研究"(项目编号:15YJC752025)的阶段性研究成果

摘　　要：杰克·伦敦凭借其早期北疆叙事作品闻名于世,然而在美国宣布边疆封闭后,其创作重心开始转向太平洋,包括夏威夷群岛等。学界尽管对其早期北疆叙事研究颇丰,但对其后期创作重心的转向关注不多。本文在福柯的"异托邦"理论基础上,探讨伦敦的"蛇鲨号"叙事如何令夏威夷成为可供美国想象、消费的海外异托邦领地。在其自传体游记及短篇小说中,伦敦就疾病书写、种族联姻及资本扩张对夏威夷进行异托邦建构,将夏威夷与美国民族相认同,将两者"血液"紧密相连,展现夏威夷巨大的商业魅力,目的在于认可美国兼并之举的成功,促进美国对夏威夷的影响与开发,鼓舞其在太平洋地区进一步推行扩张政策。Jack London is renowned for his early Northland narratives,but since America's declaration of the closure of its frontier,he had shifted his focus of creation to the Pacific,including Hawaii islands. Even though his early Northland narratives have greatly aroused the attention of the academia,the shift of his later production focus hasn't received enough concern. Based on Foucault's theory of heterotopia,this paper examines London's Snark narratives' involvement in constructing Hawaii as America's imaginable and consumable overseas heterotopia. In his autobiographical travel writing and short stories,London constructs Hawaii as a heterotopia through disease writing,racial integration and capital expansion narratives,identifying it with American nation,connecting the kinship and showing its huge commercial value. The purpose is to recognize the success of America's annexation of Hawaii,to promote America's overseas influence and exploitation,and to encourage its further implementation of the expansion policy in the Pacific area.

关 键 词：杰克·伦敦 “蛇鲨号”叙事 夏威夷 异托邦 

分 类 号：I06[文学—文学理论]