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作 者:吴海庆[1] WU Hai-qing(College of Humanities, Zhejiang Normal University, Jinhua 321004, Zhejiang)
出 处:《厦门大学学报(哲学社会科学版)》2018年第2期9-15,共7页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:教育部人文社科重点研究基地重大项目"美学基本理论的分析与重建"(13JJD750011)
摘 要:任何美的界说都是特定语境的产物,然而传统美学却几乎没有给语境留下立足之地。现代语境理论的成熟为反思美学史上各种美的定义找到了新方法,为建立美的动态界说开辟了新思路。与崛起中的生态文明相呼应,现代西方美学中的许多重要流派从不同侧面推动了美学理论的生态转型。日渐发达的生态文明孕育了具有中国特色的生态美学,新时代的社会主要矛盾规定了生态美学的任务和使命。生态美学的核心概念是生态美,生态美是人类在劳动、技术和艺术三位一体的生态文明实践中创造的美,是一种闪耀着自然主义光辉和人类和谐生存理想的诗意栖居之美,而美则是在实践中生成和显现的和谐的生态存在关系。生态美学的使命是使生态美的观念深入人心,并在生态文明时代引领人类的审美实践。Any aesthetic definition is a product of a particular context; however,traditional aesthetics leaves little room for context. The maturity of modern context theory finds a new method for understanding dynamically all kinds of definitions of aesthetic in the history of aesthetics and opens up a new way for establishing a dynamic definition of aesthetic.Echoing the rise of ecological civilization,many important schools in modern Western aesthetics promote the ecological transformation of aesthetics from different angles. The developing ecological civilization bred ecological aesthetics with Chinese characteristics,and the main social contradictions in the new era dictates the task and mission of ecological aesthetics.The core concept of ecological aesthetics is ecological beauty,while ecological beauty is created by human beings in the course of ecological civilization in which labor,technology and art are integrated. Moreover,ecological beauty is the beauty of poetic embodimentsparkling with the ideal and light of naturalism,and aesthetic is the harmonious ecological relationship that is generated and manifested in practice. The mission of ecological aesthetics is to enablethe concept of ecological beauty to win popular support and to lead aesthetic practice of human beings in the era of ecological civilization.
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