艺术的“去人性化”与现代人的危机  

作　　者：张伟劼[1] 

机构地区：[1]南京大学外国语学院西班牙语系

出　　处：《文化研究》2017年第2期210-219,共10页Cultural Studies

摘　　要：西班牙思想家奥尔特加·伊·加塞特发表于1925年的《艺术的去人性化》提出了与审美现代性密切相关的一些问题,历来被视为关于现代主义艺术的最重要的理论文献之一。本文试图从奥尔特加的西班牙背景出发,围绕奥尔特加思想体系中的＂危机＂概念,重新审视他独特的艺术＂去人性化＂概念,揭示艺术的去人性化与现代人的危机之间的深层关系,从而更深入地思考审美现代性批判的问题。The Dehumanization of the Arte, published by the Spanish philosopher Ortega y Gasset in 1925, proposed some questions with relation to the aesthetic modernity, and has been considered as one of the most im- portant theory documents about the modernist art. This essay would review the concept of ＂the dehumanization of the art＂ in the context of the Spanish na- tionality of Ortega, and reveal the deep relationships between the dehuman- ization of the art and the modern humanity＇s crisis by focusing on the concept of ＂crisis＂ in the system of Ortega＇s thoughts, and thus to go further in the research of the critic of the aesthetic modernity

关 键 词：奥尔特加 去人性化 现代性 

分 类 号：J01[艺术—艺术理论]