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作 者:吴羱奇 Wu Yuanqi
机构地区:[1]复旦大学中国语言文学系
出 处:《理论界》2018年第1期100-108,共9页Theory Horizon
摘 要:易顺鼎是晚清民初著名的诗人,其晚年诗歌颓唐放肆,且有大量吹捧演员伶人的作品,以往一直受到批判。但实际上,这些诗歌中“世纪末”的感受、零余人的悲哀、对技巧的推崇,都体现出一种强烈的“颓废风格”。而捧伶诗中对欲望及感官的大胆呈现,也显示出“过度书写”的特征,极具现代气质。另外,易顺鼎晚年诗的“颓废”书写还呈现出公共化的特点,体现出民初精英文人与通俗文化的融合。总的来看,易顺鼎晚年诗中的颓废美学,反映了旧体诗在新时代自发的变革倾向,是现代颓废主义文学的先声。Yi Shunding was a famous poet in the late Qing Dynasty.His poems in later years were dejecting and unbridled, many of which were written to t]atter actors.Therefore, these poems were criticized in the past.But actually, we can find the feeling of "the end of the century", the sorrow of the superfluous men, and the treasure of the techniques, which show a strong "decadent style" .The bold presentation of the desire and the senses in the poem also shows the characteristics of "excessive writing", which is very modern.In addition, the "decadent" writing of his later poems also presents the characteristic of publicity, reflecting the combine of the elite literati and popular culture in the early years of the Republic of China.All decadence in Yi Shunding ' s later poems reflects the spontaneous changes when it came into the new era.And it could be considered a harbinger decadent literature. things considered, the in old style poetry of Chinese modern
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