善恶不二 物哀至上——略析《源氏物语》中悖德之恋的物哀  

No Difference Between Good and Evil:——An Analysis of The Tale of Genji

作　　者：杨晨仪 王晓平[1] Yang Chenyi;Wang Xiaoping(Huaqiao University, Xiamen, Fujian 361021)

机构地区：[1]华侨大学,福建省厦门市361021

出　　处：《职大学报》2018年第2期36-40,共5页Journal of the Staff and Worker’s University

摘　　要：与劝恶扬善,主张仁义的儒佛之道不同,以追求"美"与"雅"为主旨,极力营造一种"物哀"的凄美氛围的紫式部,将剪不断理还乱的哀愁渗入了《源氏物语》的光源氏与藤壶妃子,光源氏与紫姬及柏木与三公主的悖德之恋中。《源氏物语》提出了与儒教,佛教全然不同的善恶观,即以"知物哀"者为善,"不知物哀"者为恶。The Tale of Genji completed in the llth Century and is usually taken as the world＇s first long novel. There is a thousand years history since its inception. The discussion varies in the theme of this book. among all the studies on the theme of The Tale of Genji, most readers and scholars accept the theory of ＂Mono no aware＂. Because of this, based on the theory of Motoori Norinaga, this paper will make a brief analysis of the immoral love in this book, the beauty of ＂Mono no aware＂ and also the reasons of it and figure out the aesthetic ideology of Murasakishikibu which is deeply influenced by God and Buddha thought, and is totally different from the traditional ethics and moral, focusing on the pursuit of extreme of the beauty, all these can provide readers a better and deeper understanding of The Tale of Genji in a new perspective.

关 键 词：悖德之恋 物哀 美感 

分 类 号：I313.43[文学—其他各国文学]