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作 者:宋展云[1] SONG Zhan-yun(College of Chinese Language and Literature, Yangzhou University, Yangzhou 220009, Chin)
出 处:《上海大学学报(社会科学版)》2018年第3期44-55,共12页Journal of Shanghai University(Social Sciences Edition)
基 金:国家社科基金项目"<文选>诗类题解文献辑录与研究"(15CZW015)
摘 要:先唐经典文本具有不稳定性和衍生性,需要利用诸多版本及注本的比较与互参进行综合研究。以《文选集注·江文通杂体诗》为例,其序文及注解、正文的异文、篇题的变化、李善注及各家注本的多维诠解、注本所引亡佚文献等,不仅对于勘定原文、补充文学史料具有意义,而且对于探寻汉晋诗歌艺术风格及其经典化进程也颇有裨益。通过《文选》早期钞本、刻本的比勘,可以尽量追溯文本的原貌,利于整理并校订中古集部文献,同时也应当尊重文本的开放性及多样性,注意文本形态流变背后的深层文化内涵。关注文本流变及其生成机制,充分利用集注本及历代注评本,并从多元开放的视角重新审视正文、注文及读者之间的互动关系,对于古代文学研究具有方法论意义。As the texts of the pre-Tang Dynasty classics are uncertain and derivative,their research calls for comparison and cross-reference of different versions and annotations. Take Collected Annotations to Wen Xuan: Jiang Wentong's Miscellaneous Poems as an example,the research of its prefaces and annotations,different texts,the changes of titles,the multi-dimensional interpretation of Li Shan's and other various annotations including the annotations of the lost literatures,not only has great significance in checking the accuracy of the source text and supplementing the historical literatures,but also sheds light on the artistic styles of the poetry in Han and Jin Dynasties and the process of their canonization. A comparison of the early handwritten copies and carving copies of Wen Xuan is conducive to tracing back to its original form and sorting out and revising the collections of middle ages or ancient times. Meanwhile,consideration should be taken into the inclusiveness and diversity of texts,as well as the cultural connotations underlying the text transformation. It is of great methodological significance to the study of ancient literatures if we attend to the text evolution and the generative mechanism behind it,make full usage of the annotated versions and review and reexamine the interactive relationships between texts,annotations and readers in a pluralistic and inclusive perspective.
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