东正教的“聚和性”理念与复调小说和结构诗学理论  

The Orthodox Conception “Sobornost”: From the Perspective of Polyphonic Novel and Structural Poetics Theory

作　　者：管月娥[1] Guan Yue＇e(the School of Foreign Languages and Cultures, Nanjing Normal University Nanjing 210097, China)

机构地区：[1]南京师范大学外国语学院

出　　处：《外国文学研究》2018年第2期55-63,共9页Foreign Literature Studies

基　　金：国家社科基金一般项目"乌斯宾斯基结构诗学理论与批评方法研究"(15BWW034)和国家社科基金重大项目"东正教与俄罗斯文学研究"(15ZDB092)~~

摘　　要：俄罗斯东正教文化传统对文学的影响不仅表现在作家与作品的思想意识上,而且表现在深层次的创作思维方式上,即作家的创作实践和文艺理论家的诗学理论建构等方面。"复调"小说理论是巴赫金对陀思妥耶夫斯基创作思维方式的概括与总结,也是巴赫金自身独特的艺术思维方式的显现,其文化根源主要是东正教的"聚和性"。乌斯宾斯基以"视点"为核心的结构诗学理论,具有立体多维的"聚和性"特征,是对巴赫金复调小说理论的继承与发展,也是对东正教"聚和性"理念的逆向丰富与拓展。从东正教文化批评视角解读莱蒙托夫《当代英雄》的文本结构,会发现其同样具有"聚和性"特征。这为经典文本的重读提供了一种方法论视角。Russian Orthodox cultural tradition has influenced not only the ideology of Russian writers and their works, but also their creative thinking modes at deeper level, that is, the authors＇ creative practice and poetic theory construction of literary theorists. Bakhtin＇s ＂polyphonic＂ novel theory is the generalization and summarization of Dostoevsky＇s mode of thinking as well as the presentation of his own unique artistic way of thinking. The cultural root of this theory is chiefly the concept of Orthodox ＂sobornost＂. Uspensky＇s viewpointcentered theory of structural poetics, with its multi-dimensional characteristics of ＂sobornost＂, is the inheritance and development of Bakhtin＇s theory of ＂polyphonic＂ novels and the reverse enrichment and expansion of Orthodox ＂sobornost＂. The Orthodox cultural critical interpretation of text structure of Lermontov＇s A Hero of Our Time finds the same ＂sobornost＂ characteristics, thus providing a methodological perspective for the rereading of classical texts.

关 键 词：聚和性 巴赫金 乌斯宾斯基 《当代英雄》 

分 类 号：I512.074[文学—其他各国文学]