姜夔自度曲中所潜在的文化意蕴  

Potential Cultural Connotation in Jiang Kui's ZiDuoQu

作　　者：赵建学[1] ZHAO Jianxue(Xinghai Conservatory of Music, Guangzhou Guangdong 510006, China)

机构地区：[1]星海音乐学院,广东广州510006

出　　处：《吉林省教育学院学报》2018年第4期160-162,共3页Journal of Jilin Provincial Institute of Education

摘　　要：姜夔是南宋著名文人、音乐家,他一生留有多部传世之作,其中《白石道人歌曲》是目前能找到带有乐谱的唯一宋代词乐集。其中收录了琴歌一首、《越九歌》十首、《圣宋铙歌鼓吹曲》十四首,以及自度曲十七首。其中的自度曲以刚柔并济、清空骚雅风格著称,在艺术上独辟蹊径,形成了自己鲜明的风格。自度曲是姜夔的内心袒露,他通过对女性社会的人文关照以及精神体验的流露,展示了作品的文化意蕴。Jiang Kui is a famous scholar and musician in the Southern Song Dynasty. He wrote a lot of works. Among them,＂Baishi Taoist Song＂is the only poetry music of Song Dynasty with musical score. Among them are a song of a song,＂Yue Jiu Ge＂ten,＂Sheng Song Acura advocate song＂fourteen, and degree of curvature of seventeen. One of the unique music from the degree of style, is unique in art, formed its own distinct style. His degree of curl is Jiang＇s inner emotion. Through the care of female society and the experiencing of spiritual experience, he shows the cultural connotation of his works.

关 键 词：姜夔 自度曲 女性社会 精神体验 意蕴 

分 类 号：I207[文学—中国文学]