康德美学中的“崇高论”——从“美的分析”与“崇高的分析”的关系论起  

On "the Sublime" in Kant's Aesthetics:From the Discussion of Relationship Between "Analysis of the Beautiful" and "Analysis of the Sublime"

作　　者：宋敏 张彦明 SONG Min;ZHANG Yanming(School of literature and Journalism,Chengdu Normal University, Chengdu 611130, China)

机构地区：[1]成都师范学院文学与新闻学院,成都611130

出　　处：《成都师范学院学报》2018年第4期117-120,共4页Journal of Chengdu Normal University

摘　　要：崇高是康德在《判断力批判》中的一个重要命题,是其美学思想的一个延伸,也是康德哲学的一个重要的支点。他通过"美的分析"和"崇高的分析"的比较,分析美与道德的联系,从而引出"崇高"的概念,并将它作为与"优美"并列的美学范畴加以系统的研究。美学是未来的伦理学,康德的"崇高论"则是一个起点。The sublime is an important proposition put forward by Kant in The Critique o f J u d g -ment , which is not only an extension of Kant＇s aesthetic thought, but also an impphilosophy. Through comparing ＂analysis of the Beautiful＂ and ＂analysis of the Sublime＂,he analyzed the relationship between beauty and morality,which advanced the concept of ＂the Sublime＂. Meanwhile, Kant considered ＂the Sublime＂ as an aesthetic category juxtaposed with ＂the Beautiful＂ and did systematical re-search on it. Aesthetics is the ethics of the future,and Kant’s theory of ＂the Sublime＂ is a starting point.

关 键 词：崇高 美学 伦理 

分 类 号：B83-02[哲学宗教—美学]