文学文本的欲望书写范型及其审美效应生成  

The Paradigm of Desire Writing and Aesthetic Effect Generation of Literary Text

作　　者：康建强[1,2] Kang Jianqiang(Shandong University Center for the Study of Aesthetics of Literature and Art, Jinan 250100 , China;College of Art, Baicheng Normal College, Baicheng 137000, China)

机构地区：[1]山东大学文艺美学研究中心,济南250100 [2]白城师范学院文学院,白城137000

出　　处：《天津大学学报（社会科学版）》2018年第3期276-280,共5页Journal of Tianjin University：Social Sciences

摘　　要：欲望书写是文学创作的原初动力与核心内容。结合作家的心理机制与文本的实际表现,其大致具象为直陈、反寓与绘饰三种基本范型。直陈型与反寓型是人类正向与反向思维于文学欲望书写投射的体现,分别生发出直截明快与讳莫如深的审美效应。绘饰型是直陈型与反寓型相反相成融生的结果,是复杂生活与作家深刻思维交合的体现,化生出浓郁浑融的审美效应。三者不但体现了作家创作思维对于社会生活的能动反映,而且共同构建了文学欲望书写的基本格局。Passion-writing is the motive power and core content of literature writing. Combining with the writer ’ s mind and the actual expression of the text, passion-writing has three kinds of general representation ： direct statement, allegory and modification. Direct statement and allegory are the passion-writing representation of the forward and backward thinking; they respectively create direct and indirect aesthetic effect. Modification is the hybrid of direct statement and allegory and has reached a harmonious aesthetic effect, it is the representation of the complicated life and the writerJ s profound think-ing. These three general representations reflect the active effect of the writer’s mind to the social life,and they together build the basic structure of passion-writing.

关 键 词：文学文本 欲望书写 直陈型 反寓型 绘饰型 

分 类 号：I206[文学—中国文学]