检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:常欣[1] 周霈 CHANG Xin;ZHOU Pei(School of Foreign Languages, Shanghai J iaotong University, Shanghai, 200240, PRC;Department of Psychology, Shanghai Normal University, Shanghai, 200234, PRC)
机构地区:[1]上海交通大学外国语学院,上海200240 [2]上海师范大学心理学系,上海200234
出 处:《西北师大学报(社会科学版)》2018年第3期133-144,共12页Journal of Northwest Normal University(Social Sciences)
基 金:国家自然科学基金青年项目"晚期汉英二语者句法加工的调节机制:行为与ERP研究"(31300928);上海交通大学2013年度文理交叉项目"语言声调感知与音乐音调感知的关系:行为与ERPs"(14X1900 40003)
摘 要:通过回顾、梳理与评估以往研究中支持音乐与语言存在重叠的显著区域——语调和音调中的音高感知过程以及二者之间的交互关系,总结了语调和音调中的音高感知之间的相互关系的研究现状,比较了二者认知神经机制的共享性与分离性,主张共享知觉属性的相关假设有可能会进一步解释和细化音调和语调中的音高感知之间的相互影响,并在此基础上对未来研究的方向和要点进行了展望。There are many similarities in the perception of both language and music,and experience in each domain has been shown to affect the other in various ways,while the cognitive relationship between them is still not clear enough.Based on pitch,a salient acoustic property shared by language and music,cases of musical tone and lexical tone perception and the interaction between them are reviewed,and theoretical perspectives on their relationship are compared.Besides,this paper summarises the situation of research on the music-language relationship,attempts to synthesise the principles of cognitive relationship between the perception of musical tone and lexical tone,and relates them to more general theories of perceptual learning.This paper believes the hypotheses about shared perceptual properties do have the potential to further explain and specify the mutual influence between musical tone and lexical tone perception.Finally,this paper puts forward the potential directions and suggestions for future research in this area.
分 类 号:B842[哲学宗教—基础心理学]
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.30