浅谈18世纪法国家具装饰中的中国风尚现象  

A Brief Discussion on the Chinoiserie in the Furniture Decoration of France in 18th Century

作　　者：胡铭[1] 王荻[1] HU Ming;WANG Di(Taihu University of Wuxi, Wuxi 214000, China)

机构地区：[1]无锡太湖学院,无锡214000

出　　处：《家具》2018年第3期41-44,共4页Furniture

摘　　要：在世界多极化、经济全球化的大背景下,中国发展一带一路战略对欧亚国家之间的经济政治文化交流有重要意义。其中丝绸之路是18世纪法国出现中国风尚现象的重要成因,其历史价值和经济价值,有力地促进了中西文化交流的不断深化。笔者借由西方的知识论建构和文字记载,结合18世纪法国家具装饰中的中国风尚现象,揭示西向东望中的中国所产生的印象已融入西方华丽的装饰艺术潮流的景况,阐述现象背后的价值与意义。Under the background of economic globalization and the multi-polarization of the world,the development of China Belt and Road Initiative strategy has important significance for the Eurasian countries,which will promote the exchanges among those countries in politics,culture,and economy. The historical and economic value of the silk road effectively promoted the economic and cultural exchanges between the East and the West,whose influence was largely an important cause of chinoiserie in France in 18th Century. Based on the western theory of knowledge construction and the analysis of ancient inscriptions,the western trade along the Silk Road prompted the Chinese and Western cultural exchange gradually in depth. Through the description of chinoiserie phenomenon in French furniture decoration in 18th Century,it reveals that the impression of China in the west has been integrated into the magnificent trend of decorative art in the west. The value and significance behind the phenomenon were expounded in the paper.

关 键 词：装饰艺术 中国风尚 法国家具 

分 类 号：TS664[轻工技术与工程]