论格式塔心理学原则对舞蹈钢琴伴奏的启示  

The Influence of Gestalt Principles on Piano Accompaniment for Dance

作　　者：何璇[1] HE Xuan(Xiamen City University, Xiamen 361008, China)

机构地区：[1]厦门城市职业学院,厦门361008

出　　处：《北京舞蹈学院学报》2018年第2期100-103,共4页Journal of Beijing Dance Academy

摘　　要：格式塔心理学是以主体在知觉客观事物时的整体性为出发点的一系列关于知觉的原则,如相似性、简洁性、完形压强、闭合性等。舞蹈与音乐艺术同样涉及知觉领域。钢琴伴奏在舞蹈基本功训练课、舞蹈作品中,都发挥着重要作用。本文尝试以格式塔心理学原则来探讨钢琴伴奏在舞蹈训练及舞蹈作品表现中的作用。Gestalt psychology begins with the study of visual field. A series of perceptual principles including similarity,proximity,conciseness and bottom relation are proposed based on the unity of subject in perceiving objective things. Dance and music are involved in the field of perception. Piano accompaniment plays an important role in dance training. Based on the principle of Gestalt,this paper discusses the role that piano accompaniment play in dance.

关 键 词：格式塔心理学 简洁性 相似性 完形 闭合性 

分 类 号：J70-05[艺术—舞蹈]