苏州评弹浙江流变考略——以弹词为侧重  

A Study of the Origin and Development of Suzhou Pingtan in Zhejiang: A Case Study of Tanci

作　　者：张盛满[1] 王亮[2] Zhang Shengman;Wang Liang

机构地区：[1]中国美术学院 [2]浙江理工大学马克思主义学院

出　　处：《中国文化研究》2018年第2期133-142,共10页Chinese Culture Research

基　　金：浙江省文化厅文化科研(社科类)项目“浙江评弹发展史论”(ZW2016060)研究成果

摘　　要：南宋时期以浙江为核心形成的南方曲艺最大的特征是北音南传,由北方变文演化而成的宋明陶真则被指为弹词滥觞,并最终经由词话而成吴音弹词。从目前可考文献来看,＂弹词＂一谓最早于明嘉靖年间出现在浙江,此后相关记载渐次频繁,基本与入清后苏州评弹的形成与成熟相始终。从文献判断,苏浙两地在苏州评弹的形成过程中应是一种共哺与对流关系。近世以后,浙北板块与苏南、上海两地有机交融,共同构筑成了苏州评弹流行的核心区域。The spread of northern China＇s musical form to the South characterizes the Southern Chinese Quyi, particularly Zhejiang-centred music, during the Southern Song Dynasty. Developed from Bianwen in North China,Taozhen in the Song and Ming Dynasties is regarded as the origin of Tanci,which has evolved from Cihua to Suzhou Tanci. According to the credible historical documents,the name Tanci was orignally formed in Zhejiang during the reign of Emperor Jiajing of the Ming Dynasty and appeared in relevant records with higher frequency,which was in accordance with the formation and development of Suzhou Pingtan during the Qing Dynasty. The paper intends to draw from the historical documents that Jiangsu and Zhejiang have formed an interactive relationship,which jointly nurtured and developed Suzhou Pingtan. In the modern times,Northern Zhejiang has formed an organic blend with Shanghai and Southern Jiangsu and together they become the core area where Suzhou Pingtan has gained great popularity.

关 键 词：浙北 评弹 传播 共哺与对流 

分 类 号：J826[艺术—戏剧戏曲]