作为现代性批判模式的悲剧文学  

The Tragic Literature as a Model of Criticizing Modernity

作　　者：肖琼 XIAO Qiong(Zhejiang University of Media and Communications,Hangzhou,Zhejiang 310018 ,China)

机构地区：[1]浙江传媒学院,浙江杭州310018

出　　处：《江西师范大学学报（哲学社会科学版）》2018年第3期50-56,共7页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重点项目"中国现代悲剧观念的形成及其发展研究"(编号:14AZW004)

摘　　要：进入现代社会,小说的兴起虽然可以排挤悲剧的地位,却并不能替代悲剧所扮演的角色。悲剧进入到现代社会并不是消亡了,而是在形式和叙述上发生了转型。文章由小说的兴起切入,梳理小说与悲剧之间的现代性连接及悲剧在叙述上的现代转型,厘清小说与悲剧之间复杂纠结的缠绕关系。同时将浪漫主义、现代主义和后现代主义都纳入到悲剧的框架中,由此见出浪漫主义、现代主义及后现代主义作为不同时代的悲剧性叙述及批判模式,并呈现不同时代现代悲剧意识和悲剧精神等微妙的演变过程。In modern society,although the rise of the novel can squeeze out the position of tragedy,it can not replace the role of tragedy. The tragedy is not withered away,and is transformed in form and narration in the modern society. From the rise of the novel,the article analyzes the modern connection between novel and tragedy and the modern transformation of tragedy in narration,and clarifies the complicated relationship between novel and tragedy. Putting romanticism,modernism and postmodernism into the framework of tragedy,we find that romanticism,modernism and postmodernism can be regarded as the tragic narration and the mode of criticism in different times,presenting the subtle evolution process of the modern tragedy consciousness and spirit in different times.

关 键 词：小说的兴起 浪漫主义 现代主义 后现代主义 现代性批判模式 

分 类 号：I01[文学—文学理论]