“意象”范畴的当代阐释与创构“意象美学”——兼论朱志荣“美是意象说”及与之相关的质疑  

The Contemporary Explanation of Image Category and Construction of Imaginative Aesthetics——Discussions on The Theory of Beauty Lying in Image by Zhu Zhirong and Other Related Questions

作　　者：苏保华[1] 

机构地区：[1]扬州大学文学院

出　　处：《清华大学学报（哲学社会科学版）》2018年第4期73-80,共8页Journal of Tsinghua University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目"魏晋玄学:日常生活转型与文学镜像重建研究"(11BZW014)

摘　　要：从20世纪90年代中期开始,以叶朗、夏之放、汪裕雄、朱志荣、陈伯海等学者为代表,通过确立"意象"为核心概念、元范畴或"基元",把对意象范畴的当代阐释转向营构意象美学或意象文艺学。意象研究的转向引出了一系列质疑:"意象"能否覆盖中国美学发展的整个历程;意象范畴何以能够统摄其他中国美学范畴;意象美学在何种意义上超越了二元对立;意象美学能否做到理论自洽。在我看来,意象之所以能够统摄中国美学的整个历程,根本原因在于它能够体现中国审美文化的精髓,而不在于用它来取代其他中国美学范畴。意象范畴的普适性,奠定了意象美学理论自洽的基础。意象美学能够凸显中国美学象喻思维和以虚为美的传统和特色。Since the middle of the 1990s,scholars like Ye Lang,Xia Zhifang,Wang Yuxiong,Zhu Zhirong and Chen Bohai turned from the contemporary explanation of category of image to the establishment of Imaginative Aesthetics through setting up image as the core concept,the original category or the primitive,which brought research achievement with good reputation as well as a series of questions.Peoples doubts showed the following:Whether image could cover the whole development process of Chinese aesthetics;how the category of image could govern other categories of Chinese aesthetics;to what degree imaginative aesthetics could surpass the mode of binary opposition;whether imaginative aesthetics could achieve self-consistent at the level of the aesthetic principle.In my opinion,the key reason why image could cover the whole process of Chinese aesthetics was that it represented the essence of Chinese aesthetic culture instead of replacing other categories of Chinese aesthetics.This kind of isomerism expanded the practicality and universality of image category,as well as establishes the basis of theory selfconsistent of imaginative aesthetics.Imaginative aesthetics could thus emphasize the traditional characteristic of the imagined thinking and the beauty of emptiness of Chinese aesthetics.

关 键 词：意象范畴 意象美学 转向 同质异构 实践存在 

分 类 号：I01[文学—文学理论]