音乐起源论探微  

An Exploration of the Origin of Music

作　　者：蔡钊[1] Cai Zhao

机构地区：[1]四川大学艺术学院

出　　处：《四川大学学报（哲学社会科学版）》2018年第4期92-97,共6页Journal of Sichuan University：Philosophy and Social Science Edition

摘　　要：中国古代的音乐起源论以"一"——混沌之道为音乐的起源,以心、物、能一元论的宇宙观为音乐创生的基本原理。西方科学主义音乐美学观基于心、物对立提出真理式的音乐起源观。西方科学主义音乐美学观在阐释音乐的形式时有其优势,却无法解释音乐起源与最高境界的奥秘。中国音乐美学将音乐的起源与境界做整体性研究,恰与道家的宇宙观相吻合。量子力学的研究成果亦已证明心、物、能一元论的正确性。因此,中国古代以混沌阐释音乐起源更具说服力。The ancient Chinese believe that music originates from the Oneness, or the Way of Chaos, and that musical creation comes from the unitary cosmos of mind/object/power. According to Western Scienticism,music originates from the opposition of mind and object. The western view has its advantages in interpreting the forms of music, but it fails to explain the mystery concerning the origin and supreme realm of music.Chinese musical aesthetics provides a holistic interpretation of the origin of music and its realm, which fits exactly into the Daoist view of the universe. Researches in Quantum Mechanics have established the unitary cosmos of mind/object/power, demonstrating the validity of the ancient Chinese view of the origin of music.

关 键 词：“混沌” 音乐起源 音乐境界 道家 心物能一元论 

分 类 号：B83-09[哲学宗教—美学] J609[艺术—音乐]