“超越美”:读图时代的审美探究  

Transcendental Beauty:An Aesthetic Probe in the Age of Images

作　　者：刘彩霞[1] LIU Cai-xia(Apparel and Art Design College,Xi ＇ an Polytechnology University,Xi ＇ an 710048,China)

机构地区：[1]西安工程大学服装与艺术设计学院,陕西西安710048

出　　处：《山西大学学报（哲学社会科学版）》2018年第4期8-12,共5页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：西安市2018年度社会科学规划基金项目(18X12)

摘　　要：纵观百年中国美学发展历程以及几次美学大讨论,其核心都是围绕审美的本体话语而展开,而背后潜在的话语则指涉为转型时期的社会文化的冲突与整合。因是之故,审视时代赋予审美新的内涵,重构以超越性为核心的审美体系,以敞开的方式重返现代社会想象的审美纬度,运用这一思路,亦符合当下美学的发展趋势,文章主要在中国美学现代化的逻辑框架下,沿着审美转向的轨迹,探析当前社会文化下的审美特点,并尝试着重构以超越性为核心的大美学。Chinese aesthetic developments and major aesthetic debates in the past hundred years have centered around the aesthetic discourse of the noumenon;the latent discourses underpinning these developments are referred to as social and cultural conflict and integration in a transitional period. As a result,it is necessary to examine the new implications for aesthetics,reconstruct an aesthetic system centered on transcendence and return to an aesthetic dimension of the modern societal imagination with open methods,which is also consistent with the current development trend of aesthetics. Within the logical framework of Chinese aesthetic modernization,this paper primarily follows the trail of aesthetic transformation,analyzes the aesthetic traits of society and culture today,and attempts to reconstruct a greater aesthetic centered on transcendence.

关 键 词：审美转向 审美泛化 超越美 

分 类 号：B832.9[哲学宗教—美学]