媒介化时代的文艺批评样态分析  

Analysis of Art Criticism in the Era of Digital Media

作　　者：李震[1] LI Zhen(School of Journalism and Communication,Shaanxi Normal University,Xi＇ an 710119,Shaanxi)

机构地区：[1]陕西师范大学新闻与传播学院,陕西西安710119

出　　处：《陕西师范大学学报（哲学社会科学版）》2018年第4期136-141,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：2017年国家重点研发计划项目"民族民间文化资源传承与开发利用技术集与应用示范"(2017YFB1402100)

摘　　要：随着媒介的本体化和媒介化时代的到来,古老的文艺批评正在经历着从批评属性、主体和客体,到话语体系、价值标准等多方面的深刻变革。媒介化时代文艺批评有几种新兴批评样态:媒介批评、跨媒介批评、视听媒介批评和微批评。跨媒介批评比单一媒介批评有更大学术空间和话语空间;视听媒介批评逐渐成为有更大批评效力的样态;微批评是个体对自己批评权力的行使和表达。With the advent of the media＇s noumenon and the media age,ancient literary criticism is experiencing a profound change of the criticism attribute,the subject and the object,the discourse system,the value standard and so on. This paper focuses on several emerging critical patterns of literary criticism in the media age： Media criticism,cross-media criticism,audio-visual media criticism and micro-criticism,and analyzes and demonstrates its nature,characteristics,significance and value.

关 键 词：媒介本体化 媒介批评 跨媒介批评 视听媒介批评 微批评 

分 类 号：G206.2[文化科学—传播学] I206.09[文学—中国文学]