马原小说中的叙事交流——以《涂满古怪图案的墙壁》为例  

Narrative Communication in Ma Yuan's Novels——Take the Wall Painted with Odd Patterns as an Example

作　　者：李思滢 LI Si-ying(Xinjiang Normal University, Urumqi ,Xinjiang 83005)

机构地区：[1]新疆师范大学,新疆乌鲁木齐830054

出　　处：《牡丹江大学学报》2018年第6期44-46,共3页Journal of Mudanjiang University

摘　　要：马原作为先锋小说的代表作家,在20世纪80年代中期发表的小说不仅具有深刻的历史意蕴,更突出的则是他小说中的叙事艺术。故事的完整性并不是马原小说所追求的,叙述技巧的灵活运用才是马原的写作目标。马原《悬疑地带》中收录的短篇小说《涂满古怪图案的墙壁》,在叙事交流方面突出体现了作者的叙事技巧。叙述者与受述者,隐含作者与"马原"的身份灵活转换,使读者在马原所营造的叙事圈套中捉摸不透而深感神秘。As a representative writer of pioneer novels, Ma Yuan published novels in the mid-1980 s not only with profound historical implication, but also the narrative art in his novels. The integrity of the story is not the pursuit of Ma Yuan＇s novels. The flexible use of narrative technique is the goal of Ma Yuan＇s writing. The short stories in the Wall painted with odd patterns in Ma Yuan＇s Suspense Zone highlight the author＇s narrative skills in narrative communication. The narrator and the narratee, the implied author and the identity of ＂ma yuan＂, are flexible, which makes readers deeply mysterious in the narrative trap created by Ma Yuan.

关 键 词：马原 叙事交流 叙述者 受述者 隐含作者 

分 类 号：I207.4[文学—中国文学]