略论晚唐五代山水画屏与仕隐心态  

Brief Study on the Screen of Landscape Painting and the Mentality of the Scholar-officials in Seclusion in the Late Tang and the Five Dynasties

作　　者：刘远 LIU Yuan(Department of History and Cultural Studies,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学历史文化学院,北京100081

出　　处：《城市学刊》2018年第2期65-70,共6页Journal of Urban Studies

基　　金：国家建设高水平大学公派研究生项目(留金发[2017]3109号)

摘　　要：屏风是我国传统家具的重要组成部分,它常饰以绘画,在实用价值之外被赋予了艺术品性,成为人们寄托精神情怀的重要载体。山水画是晚唐五代时期屏风中最常见的图景之一,形象地折射出当时人们的喜好、品性与精神世界,成为探寻晚唐五代时期仕隐精神世界的又一阙口。The screen is an important part of traditional furniture in China which is often decorated with paintings and endowed with the artistic quality beyond the practical value. Thus, it became an important carrier of people＇s spiritual feelings. Landscape paintings are one of the most common pictures in the screen in the Late Tang and the Five Dynasties. Therefore, they can reflect vividly people＇s preferences, character and spiritual world, and it can become an important way to explore the spiritual world of the scholar-officials in the late time of Tang and the Five Dynasties.

关 键 词：晚唐五代 山水画屏 仕隐心态 

分 类 号：J205[艺术—美术]