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作 者:王春艳[1] WANG Chun-yan(School of Foreign Languages,Jiangsu University of Science and Technology,Zhenjiang,212003,Jiangsu)
机构地区:[1]江苏科技大学外国语学院,江苏镇江212003
出 处:《蚌埠学院学报》2018年第3期85-88,共4页Journal of Bengbu University
基 金:江苏科技大学人文社会科学研究项目(2013WY02J);江苏省高校哲学社会科学研究项目(2014SJB823)
摘 要:以语料库和语料库检索工具为研究手段,探讨以拉什迪《午夜之子》这部作品为代表的印度民族书写的文化表征形式。通过Ant Cone功能检索软件的词频统计数据,发现拉什迪在《午夜之子》这部作品对印度民族的历史文化身份的建构这一重要主题;从作品中提取的主题词进行的语境共现分析传达了拉什迪后殖民主义历史观,拉什迪围绕历史和记忆两个线索,对印度文化身份进行表征和建构,在作品中所呈现的印度历史像一面破碎的镜子,折射出官方和个体的视角,打破了过去、现在、将来的界限,并且颠覆了西方线性历史叙事的思维模式。Taking corpus and corpus retrieval tools as research method,it explored the cultural representation system in this paper in Indian writing represented by Salman Rushdie's Midnight's Children. Through the analysis of the frequency list in Antcone retrieval software,it found out that Rushdie explores an important theme in Midnight's Children Indian cultural identity. Key words and the key word in concordance( KWIC) extracted from the novel proves that Rushdie revolves around history and memory in an attempt to construct and represent Indian cultural identity. The Indian history was revealed in the work which is like a broken mirror,reflects both the official and the individualized perspectives. The history has transcended the boundaries of the past,the present and the future and it has also subverted the western linear thinking.
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