音乐美学边缘化危机的自我觉解及其对策  

The self-perception solutions of music aesthetic marginalization crisis and its countermeasures

作　　者：高英[1] Gao ying(anhui art vocational college Anhui hefei 230001)

机构地区：[1]安徽艺术职业学院,安徽合肥230001

出　　处：《山东农业工程学院学报》2018年第4期95-96,99,共3页The Journal of Shandong Agriculture and Engineering University

基　　金：2016年度国家社科基金艺术学项目:中国当代流行音乐创作的民族化研究;编号为16BD051

摘　　要：音乐的本质在于缓解生活压力,陶冶情操从而借此抒发人类情感。作为一项综合性较高的基础理论学科,音乐美学较其他领域的理论学科更具独特性的研究价值,同时因为音乐美学十分注重音乐艺术形式的规律研究,因而其还具备涵盖性较强抽象的依数性质。the essence of music is to relieve the pressure of life and cultivate the sentiment of human beings.As the basis of a comprehensive high theoretical discipline,music aesthetics theory in the field of other disciplines more unique research value,at the same time because of music aesthetics research pays attention to the rule of the music art form,thus it has strong umbrella abstract according to the number of properties.

关 键 词：音乐美学 边缘危机 解决对策 

分 类 号：J022[艺术—艺术理论]