明清官吏服饰“冲突”与广允寺壁画绘制年代辨析  

Analysis of Guan Yunsi Fresco and Its Costume of Chinese Ming and Qing Dynasties

作　　者：安佳[1] 赵云川[1] An Jia;Zhao Yunchuan

机构地区：[1]北京服装学院

出　　处：《艺术设计研究》2018年第2期38-43,共6页Art & Design Research

基　　金：北京市教育委员会社科计划重点项目(项目编号:AJ2015-15)的阶段性成果

摘　　要：由于广允寺壁画中出现了明清两朝人物同台亮相的"冲突"场面,因此引发了该壁画绘制年代的争议。针对这一问题,本文从特定的历史、政治、地域环境、文化特性等方面进行梳理与分析,拟廓清和阐明明清服饰人物同台亮相的"悖理"及壁画绘制年代的成因。Both the figures of the Ming and Qing Dynasties show in Guan Yunsi Fresco causes controversy of the fresco era. The article, based on the context of history, politics,cultural characteristics, region,analyzes why both Ming and Qing Dynasties＇ figures came out in the fresco and its relationship with the fresco＇s drawing time.

关 键 词：广允寺壁画 明清服饰 冲突 绘制年代 

分 类 号：J18[艺术—艺术理论] J523.5