中西方构成艺术之“平行比较”及其现代运用研究  

The Research of Modern Application of “Parallel Comparison” for Construction Art in Chinese and Western Culture

作　　者：高德荣[1] GAO Derong(College of Applied Art ＆ Design,Shanghai Polytechnic University,Shanghai 201209,China)

机构地区：[1]上海第二工业大学应用艺术设计学院,上海201209

出　　处：《上海第二工业大学学报》2018年第2期167-172,共6页Journal of Shanghai Polytechnic University

基　　金：上海第二工业大学设计学重点(培育)学科(XXKPY1063)资助

摘　　要：针对古今中外绘画、平面设计乃至文学、音乐等表现形式开展讨论,探讨其异同。借用比较文学中常用的"平行比较"的研究方法对一些艺术作品展开平行比较。看似没有事实关系的各种表现形式的艺术作品在构成艺术原理的框架下,具有艺术审美或审美心理上的"通感"现象及艺术表现内在关联,从而找到一种艺术创作规律和构成艺术理论、原理,为今后的现代运用带来启发和借鉴。同时也为开拓比较文学的研究领域做一点有益尝试。The similarities and differences of the composition principle in painting, graphic design, literature, and music from all times and all over the world are discussed. By the method of parallel comparison the artworks are compared. Under the framework of the principles to art composition, there＇s the phenomenon of synethesia in artistic aesthetics or aesthetic psychological and internal relation of artistic expression among seemingly irrelevant art works. Thus, the results may lead to some inspiration for the art creation, theories and principles of modern application in the future. Meanwhile, it is also a little step for the exploration of comparative literature.

关 键 词：构成艺术 平行比较 通感 绘画 平面设计 

分 类 号：J003[艺术—艺术理论]