战后川端康成文学活动的政治维度探析  

An Analysis of the Political Dimension of Kawabata Yasunari's Literary Activities after World War Ⅱ

作　　者：王新新[1] Wang Xinxin(Japanese Department,Nankai University,Tianjin,China)

机构地区：[1]南开大学外国语学院,天津300071

出　　处：《外国文学》2018年第4期33-42,共10页Foreign Literature

基　　金：中央高校基本科研业务费专项资金(96176504)

摘　　要：本文将"政治"这一概念置于"不可视的、无意识的"框架中,通过对战后川端康成文学活动中"不可视的、无意识的"部分的考察,探讨其"政治"表征,以期更加切近战后川端文学的实质,为全面认识川端文学提供一个可行且有效的视角。战后,川端做出回归古典传统的文化抉择时,即进入了"政治"的轨道,并通过自身文学走向世界,用"日本美"将日本与西方、用"现代性"将日本与亚洲国家区别开来,使"日本"变得愈加独一无二、卓尔不群。可以说,战后川端最大的"政治",就是怀着对"日本"这个国家的高度认同感,大打"日本牌",并通过将自身文学与"日本"绑定,取得"共赢"。In this paper, ＂politics＂ refers to that of the ＂invisible＂ and ＂unconscious.＂ By investigating the ＂invisible＂ and ＂unconscious＂ part of the literary activities which Kawabata Yasunari participated in after World War II, the paper analyzes his political features, looking closer at Kawabata＇s literature and providing a feasible and effective perspective to understand it in a comprehensive way. After World War II, when Kawabata made his own decision to return to the classical and traditional culture, he had already entered the ＂political＂ field. At the same time, Kawabata stepped on the world stage with his own works and distinguished Japan from the West with the ＂unique beauty of Japan,＂ from other Asian countries with ＂modernization,＂ which made ＂Japan＂ more unique and preeminent. All in all, the most important part of Kawabata＇s ＂politics＂ is holding the high degree of Japanese national identity, using the ＂unique beauty of Japan＂ to combine his own works with ＂Japan＂ so as to achieve ＂win-win.＂

关 键 词：战后川端康成“政治” 国家认同 

分 类 号：I313[文学—其他各国文学]