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作 者:王敦[1]
出 处:《东岳论丛》2018年第8期149-157,共9页DongYue Tribune
基 金:北京市社会科学基金项目"都市听觉文化研究"(14WYB036)研究成果
摘 要:为听觉文化研究话语的发展动态绘制一幅地形图,目的是发现、勾勒和阐述该领域前沿的问题意识、学术增长点和概念端口。如下问题在该领域的话语开拓与建构中尤为重要:(一)跨学科知识坐标和知识网格的搭建,(二)对哲学和思想史中听觉性知识源流的发掘与再叙事,(三)听觉文化史对现代化转型研究、媒介文化史、物质文化史的利用,(四)与音乐学诸学科话语的关系,(五)听觉文化研究的"视听二元对立"框架陷阱问题,(六)其他的重要前沿问题。该领域在国内的进一步话语开拓和建构则需要注意三点:一是尊重此话语领域本身的复杂性和动态性,二是"实践性"优先,三是营造中国语境。This paper delineates a topology for the developing dynamism of"sound studies"(the muti-disciplinary study of auditory culture)with the aim to discover,outline and explicate the problems,focuses and developing concepts of this field.Some issues are very important to the exploration and construction of this field’s discourse:the construction of inter-disciplinary knowledge map;the discovery and recount of the genealogies of sound or auditory based knowledge in philosophy and history of ideas;the utilization of manifold sub-fields in historical researches such as modernization studies,history of media culture,and history of material culture;the relation to the academic family of musicology;the trap of framework of thinking in audio-visual dichotomy;other related dimensions in the frontier of this field.Furthermore,three things need to be paid attention to for the nurturing of the construction of necessary discourse in Chinese academia.Firstly,we should realize the complexity and dynamism of discourses in this field.Secondly,the prior value is in practices of researches,not in theorization.Thirdly,we should put researches into a Chinese context.
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