近代民间服饰中“线”的构成特征分析  

The analysis of line structure characteristics in the modern folk dress

作　　者：柴娟[1,2] 崔荣荣 牛犁 CHAI Juan;CUI Rongrong;NIU Li(College of Textiles and Clothing;Jiangsu Research Center of Intangible Cultural Heritage;Key Laboratory of Eco-Textiles,Ministry of Education,Jiangnan University,Wuxi 214122,China)

机构地区：[1]江南大学纺织服装学院,江苏无锡214122 [2]江南大学生态纺织教育部重点实验室,江苏无锡214122 [3]江南大学江苏省非物质文化遗产研究基地,江苏无锡214122

出　　处：《丝绸》2018年第8期88-93,共6页Journal of Silk

基　　金：国家社会基金艺术学重点项目(15AG004);江苏省"333工程"第二层次中青年领军人才项目(BRA2016366);江苏省社科项目(16YSB007)

摘　　要：文章依据江南大学民间服饰传习馆中带有线造型的服饰品,详细分析线饰在近代汉族民间服饰中的构成特征。首先将线形的构成方式进行分类归纳;其次分析民间服饰中的线形在构成中表现的装饰艺术,并依托实物阐述其线饰特点;最后对线形在构成艺术中表现的传统美和构成规律进行探究,归纳总结出民间服饰中线在构成法则中表现出对称与节奏的形式美、写实与会意性的线饰造型美感、美用一体的功能性美感等,了解线饰真正的内涵和底蕴,从而将线条的美感运用到现代设计创作中。Based on the garment accessories with the line modeling in the folk costumes Museum of Jiangnan University,composition characteristics of line decoration in the folk dress of modern Han nationality were specifically explored in this article. Firstly,the composition methods of line form were classified and summed up. Secondly,the decorative art of the line form in the folk costume were analyzed,and the line decoration features were on the basis of materials. Finally,the traditional beauty and the composition rules of the line form in the art of composition were explored. The aesthetic feelings of the middle line in the composition of the folk costume were summed up,namely symmetrical and rhythmic form beauty; realistic and idealistic line decoration; the functional beauty of the integration of beauty and practicality so as to understand the true meaning and background and apply the beauty of lines in modern design creation.

关 键 词：构成特征 线形 民间服饰 近代汉族 构成规律 

分 类 号：TS941.3[轻工技术与工程—服装设计与工程]