唐五代批评视野中的韩柳并称  

Juxtaposition Name of “Han Liu” from the Perspective of Criticism in the Tang and Five Dynasties

作　　者：刘城[1] LIU Cheng(School of Chinese Language and Literature, Guangxi College of Education, Nanning 530023, China)

机构地区：[1]广西教育学院文学院,南宁530023

出　　处：《西安文理学院学报（社会科学版）》2018年第3期1-6,共6页Journal of Xi’an University(Social Sciences Edition)

基　　金：国家社科重大招标项目:历代骈文研究文献集成(15ZDB068);2016年广西教育厅资助"广西高校优秀教师出国深造计划项目"(桂教国交[2016]182号);2017年度广西高校中青年教师基础能力提升项目:柳宗元在柳州的散文创作及其批评接受研究(2017KY1469)阶段性成果

摘　　要：韩愈、柳宗元因文章的典范意义,被世人并称为"韩柳",二人也因此被视为中唐文体文风改革的领袖。当今几乎所有的中国文学史及散文史著作都持这种观点,但学界的这种观点并不太符合唐代的事实。实际上,韩柳并称在唐代并不是批评的主流,二人在当时并未同时被世人看作是文风改革的领袖。韩愈在中唐已逐渐确立"文宗"的地位,其求奇求新之文风具有巨大影响的同时也引起了极大争议,而柳宗元的影响则相对微弱得多。韩柳文并称在晚唐才出现。而韩柳并称以及二人同被世人视为文坛领袖的观点则是在北宋以后才逐渐流行并定型。Han Yu and Liu Zongyuan have been called with a juxtaposition name of＂Han Liu＂for their paradigmatic significance of proses. Accordingly,they are also treated as the leaders promoting the stylistic innovation. Most books about the history of Chinese literature and classical prose hold this view. But that is inconsistent with historical facts. Virtually,the juxtaposition name of ＂Han Liu＂was not the mainstream of criticism,and their statuses were quite different in the stylistic innovation. Han Yu,whose novelty style of writing was influential and controversial,has already been regarded as ＂Wenzong ＂（ an ancestor in literature）,while the influence power of Liu Zongyuan was much weaker. The juxtaposition name of ＂Han Liu＂appeared in the Late Tang Dynasty and the view that they were both the leaders in stylistic innovation was gradually accepted and popularized after the Earlier Song Dynasty.

关 键 词：唐五代 韩柳文 韩柳并称 

分 类 号：I207.225[文学—中国文学]