论宋代“黄昏庭院”到清代“杨柳庭院”的演变  

On the Evolution of the "Courtyard of Dusk" in Song Dynasty to the "Willow Garden" in Qing Dynasty

作　　者：向希 XIANG Xi(College of Chinaese Language and Literature,China West Normal University,Nanchong Sichuan 637002,China)

机构地区：[1]西华师范大学文学院,四川南充637002

出　　处：《兰州工业学院学报》2018年第4期119-122,共4页Journal of Lanzhou Institute of Technology

摘　　要：宋代以男子口吻为代言体的闺情词,偏爱描写庭院中黯淡的"黄昏"意象,通过一系列的黄昏庭院意象群,展示闺阁女性孤寂凄凉的形象,以此来表达自身的不得志或对情人的思念。清代女性受教育程度提高,自我意识觉醒,在描写闺阁庭院的生活时,选择符合自身形象的"杨柳"意象,描写在"杨柳庭院"中丰富的活动,具有与宋代男性笔下的庭院女子不同的精神内涵。The Song Dynasty to the tone of the man to speak of the Guiqing words,preference description bleak ＂ Twilight＂ image in the courtyard,the courtyard through a series of dusk image group,showing the female desolate image,in order to express their own thoughts or frustrated lovers. The Qing dynasty women＇s education level,self consciousness,in the description of courtyard boudoir life,choose their own image of the ＂ willow＂ image,describes in ＂ the willow garden＂ rich activities,with different men and the Song Dynasty under the pen of the spirit of the connotation of women＇s courtyard.

关 键 词：庭院 闺情词 女诗人 

分 类 号：I207.2[文学—中国文学]